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来源类型 | Discussion paper |
规范类型 | 论文 |
来源ID | DP8967 |
DP8967 The Pricing of Art and the Art of Pricing: Pricing Styles in the Concert Industry | |
Pascal Courty; Mario Pagliero | |
发表日期 | 2012-05-23 |
出版年 | 2012 |
语种 | 英语 |
摘要 | We document the existence of pricing styles in the concert industry. Artists differ in the extent to which they rely on second- and third-degree price discrimination and in how likely they are to sell out concerts. Most strikingly, artists who use multiple seating categories are more likely to vary prices across markets and less likely to sell out concerts. These patterns are difficult to explain under a standard profit maximization paradigm. The hypothesis that artists differ in their willingness to exploit market power provides a plausible framework for explaining these patterns in artist pricing style. |
主题 | Industrial Organization |
关键词 | Behavioral pricing Exploitation of market power Fair pricing Price discrimination Pricing style Rationing |
URL | https://cepr.org/publications/dp8967 |
来源智库 | Centre for Economic Policy Research (United Kingdom) |
资源类型 | 智库出版物 |
条目标识符 | http://119.78.100.153/handle/2XGU8XDN/537819 |
推荐引用方式 GB/T 7714 | Pascal Courty,Mario Pagliero. DP8967 The Pricing of Art and the Art of Pricing: Pricing Styles in the Concert Industry. 2012. |
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