全球智库信息集成服务系统(G2TT): Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century

G2TT

来源类型	Working Paper
规范类型	报告
DOI	10.3386/w9123
来源ID	Working Paper 9123
	Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century
	David W. Galenson; Robert Jensen
发表日期	2002-08-29
出版年	2002
语种	英语
摘要	This paper reexamines the process by which a market for a new product modern painting emerged in Paris in the nineteenth century. Contrary to the accepted account, in which the monopoly of the official Salon was replaced by a competitive market operated by private dealers, we find that the Salon was in fact initially replaced by a series of smaller group exhibitions organized by artists. The Impressionists were thus leaders not only in creating modern art, but also in developing its markets. Our reinterpretation of this episode yields a new understanding of the interactions between artists and markets in the late nineteenth and early twentieth centuries, and for the first time highlights specific ways in which artists' behavior was affected by the structure of art markets during the first half century of the modern era.
URL	https://www.nber.org/papers/w9123
来源智库	National Bureau of Economic Research (United States)
引用统计
资源类型	智库出版物
条目标识符	http://119.78.100.153/handle/2XGU8XDN/566734
推荐引用方式 GB/T 7714	David W. Galenson,Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. 2002.