| 来源类型 | Working Paper |
| 规范类型 | 报告 |
| DOI | 10.3386/w11282 |
| 来源ID | Working Paper 11282 |
| Rockonomics: The Economics of Popular Music | |
| Marie Connolly; Alan B. Krueger | |
| 发表日期 | 2005-04-25 |
| 出版年 | 2005 |
| 语种 | 英语 |
| 摘要 | This paper considers economic issues and trends in the rock and roll industry, broadly defined. The analysis focuses on concert revenues, the main source of performers ' income. Issues considered include: price measurement; concert price acceleration in the 1990s; the increased concentration of revenue among performers; reasons for the secondary ticket market; methods for ranking performers; copyright protection; and technological change. |
| 主题 | Other ; Culture ; Industrial Organization ; Industry Studies ; Development and Growth ; Innovation and R& ; D |
| URL | https://www.nber.org/papers/w11282 |
| 来源智库 | National Bureau of Economic Research (United States) |
| 引用统计 | |
| 资源类型 | 智库出版物 |
| 条目标识符 | http://119.78.100.153/handle/2XGU8XDN/568920 |
| 推荐引用方式 GB/T 7714 | Marie Connolly,Alan B. Krueger. Rockonomics: The Economics of Popular Music. 2005. |
| 条目包含的文件 | ||||||
| 文件名称/大小 | 资源类型 | 版本类型 | 开放类型 | 使用许可 | ||
| w11282.pdf（674KB） | 智库出版物 | 限制开放 | CC BY-NC-SA | 浏览 | ||
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