| 来源类型 | Working Paper
|
| 规范类型 | 报告
|
| DOI | 10.3386/w12403
|
| 来源ID | Working Paper 12403
|
| Two Paths to Abstract Art: Kandinsky and Malevich |
| David W. Galenson
|
| 发表日期 | 2006-08-07
|
| 出版年 | 2006
|
| 语种 | 英语
|
| 摘要 | Wassily Kandinsky and Kazimir Malevich were both great Russian painters who became pioneers of abstract art during the second decade of the twentieth century. Yet the forms of their art differed radically, as did their artistic methods and goals. Kandinsky, an experimental artist, approached abstraction tentatively and visually, by gradually and progressively concealing forms drawn from nature, whereas Malevich, a conceptual innovator, plunged precipitously into abstraction, by creating symbolic elements that had no representational origins. The conceptual Malevich also made his greatest innovations considerably earlier in his life than the experimental Kandinsky. Interestingly, at the age of 50 Kandinsky wrote an essay that clearly described these two categories of artist, contrasting the facile and protean young virtuoso with the single-minded individual who matured more slowly but was ultimately more original. |
| URL | https://www.nber.org/papers/w12403
|
| 来源智库 | National Bureau of Economic Research (United States)
|
| 引用统计 |
|
| 资源类型 | 智库出版物
|
| 条目标识符 | http://119.78.100.153/handle/2XGU8XDN/570060
|
推荐引用方式
GB/T 7714 |
David W. Galenson. Two Paths to Abstract Art: Kandinsky and Malevich. 2006.
|
|
文件名：
|
w12403.pdf
|
|
格式：
|
Adobe PDF
|
此文件暂不支持浏览
除非特别说明，本系统中所有内容都受版权保护，并保留所有权利。
