| 来源类型 | Working Paper
|
| 规范类型 | 报告
|
| DOI | 10.3386/w15278
|
| 来源ID | Working Paper 15278
|
| The Greatest Photographers of the Twentieth Century |
| David Galenson
|
| 发表日期 | 2009-08-20
|
| 出版年 | 2009
|
| 语种 | 英语
|
| 摘要 | A survey of textbooks reveals that scholars consider Alfred Stieglitz to have been the greatest photographer of the twentieth century, followed in order by Walker Evans, Cindy Sherman, Man Ray, and Eugène Atget. Stieglitz, Evans, and Atget were experimental artists, who were committed to realism, whereas Man Ray and Sherman were conceptual innovators, who constructed images to express ideas. During much of the twentieth century, photography was dominated by the experimental approach and aesthetic of Stieglitz and his followers, but late in the century this changed; as photography grew increasingly central to advanced art in general, it came to be dominated by conceptual innovators. Sherman's celebrated creation of artificial scenes is characteristic of the almost exclusively conceptual uses that today's advanced artists make of its techniques and images, as technical and aesthetic considerations are generally subordinated to conceptual concerns. |
| 主题 | Other
; Culture
|
| URL | https://www.nber.org/papers/w15278
|
| 来源智库 | National Bureau of Economic Research (United States)
|
| 引用统计 |
|
| 资源类型 | 智库出版物
|
| 条目标识符 | http://119.78.100.153/handle/2XGU8XDN/572952
|
推荐引用方式
GB/T 7714 |
David Galenson. The Greatest Photographers of the Twentieth Century. 2009.
|
|
文件名：
|
w15278.pdf
|
|
格式：
|
Adobe PDF
|
此文件暂不支持浏览
除非特别说明，本系统中所有内容都受版权保护，并保留所有权利。
