| 来源类型 | Working Paper |
| 规范类型 | 报告 |
| DOI | 10.3386/w16507 |
| 来源ID | Working Paper 16507 |
| Supply Responses to Digital Distribution: Recorded Music and Live Performances | |
| Julie Holland Mortimer; Chris Nosko; Alan Sorensen | |
| 发表日期 | 2010-10-28 |
| 出版年 | 2010 |
| 语种 | 英语 |
| 摘要 | Changes in technologies for reproducing and redistributing digital goods (e.g., music, movies, software, books) have dramatically affected profitability of these goods, and raised concerns for future development of socially valuable digital products. However, broader illegitimate distribution of digital goods may have offsetting demand implications for legitimate sales of complementary non-digital products. We examine the negative impact of file-sharing on recorded music sales and offsetting implications for live concert performances. We find that file-sharing reduces album sales but increases live performance revenues for small artists, perhaps through increased awareness. The impact on live performance revenues for large, well-known artists is negligible. |
| 主题 | Industrial Organization ; Industry Studies |
| URL | https://www.nber.org/papers/w16507 |
| 来源智库 | National Bureau of Economic Research (United States) |
| 引用统计 | |
| 资源类型 | 智库出版物 |
| 条目标识符 | http://119.78.100.153/handle/2XGU8XDN/574181 |
| 推荐引用方式 GB/T 7714 | Julie Holland Mortimer,Chris Nosko,Alan Sorensen. Supply Responses to Digital Distribution: Recorded Music and Live Performances. 2010. |
| 条目包含的文件 | ||||||
| 文件名称/大小 | 资源类型 | 版本类型 | 开放类型 | 使用许可 | ||
| w16507.pdf（205KB） | 智库出版物 | 限制开放 | CC BY-NC-SA | 浏览 | ||
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